Archive for the ‘Movies’ Category

Big eyes? Bawl!


2011
07.25
Rapunzel from Tangled

Are all those little Lindt balls for me?! Rapunzel getting all wide eyed...

I’ve found yet another thing that stimulates the volatile pits of oceandom that are my tearducts. I call it “bigpeepers sobbytissueis”. Or “those characters with the bloody big eyes in animated movies make me cry.” And I don’t mean the big-eyed babes of Anime fame. They get a totally different kind of reaction (ask any guy or geek) than the random Disney or Pixar characters that so offend my delicate sensibilities.

Squirt from Finding Nemo

Oh hey, anybody seen an orange clownfish around? Nemo's laid-back seaturtle friend Squirt. Who's a cute sea-turtle then?

Consider the scenario: a birthday dinner for my middle sister. She’s one year shy of the big 3-0 (bwuhaha! Share my trauma!) and has two little rugrats running around. Well, the one runs, the other mostly just drools and laughs when poked. The running rugrat has a special love of animated movies, as kids do, so when my sister popped Tangled into the DVD player, little Mea was hooked.

And so was I. In fact, I promptly stopped eating and stopped conversing with the other adults around the table to sneak constant peeks at the TV screen. After a while everybody realized I found the movie more interesting than their conversation so I felt free to start the type of running commentary my friends Kristia and EJ are so familiar with and that my brother in law calls logical brain spillage in a totally illogical situation. I was questioning the horse’s prowess as a wannabe crime fighter dog and wondering whether it hurt to drag so much hair around (in the case of the girl character. This being a take on the Rapunzel fairytale.). And then I was wondering about random bits and pieces of no relevance whatsoever in a fairytale world and then…

Puss in Boots

The master of big-eyed cuteness: Shrek's Puss-in-boots.

The pretty sky lanterns went up and Rapunzel looked at her beloved with those big green eyes… And I blubbed. I’m 31 years old (the horror!) and I totally cried because of animated lanterns and big eyes. I think I hid it from my parents, but I suspect little Mea might have noticed. Luckily the kid kept her mouth shut. I might have had to bash her over the head with the incontent dinosaur toy she loves and uses as a bath toy. Anyway, I love animated movies and don’t plan to avoid them, so I’ll just add crying to the long list of annoying things I do while watching movies. You have been warned, all future movie watchers…

And here, just to prove that nobody can blame me, a collection of big-eyed critters ready to go all cute on yer ass!

It's so fluffy I'm gonna die!

It's so fluffy I'm gonna die!

Despicable Me

Eye overload!

Pascal from Tangled

Chameleons don't have to try very hard to be cute... Pascal also played a part in Tangled's sob fest

Wall-E

And last but not least... Wall-e!

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Get your gore on with HorrorFest!


2010
10.07

Sonja Ruppersberg on the artwork for 2010's HorrorFest in Cape Town

Sonja aka She Devil...

It’s October, and you know what that means… Ghosties and ghoulies and Darkwing Duck and other random things that go bump in the night. ‘Cos it’s Halloween. And it’s also HorrorFest, Cape Town’s iconic celebration of all things offbeat and bloody and scary. I managed to track down Paul Blom and Sonja Ruppersberg and get them to answer some questions about their brainchild… Which they did quite thoroughly, despite being up to their elbows in last-minute preparations and dramas! Enjoy… And if you’re in Cape Town, go support!

What’s the main goal of HorrorFest?
To cater for people with odd, alternative and off-centre taste – like ourselves! And while it is not yet a South-African tradition, we want Halloween to become more prominent.

Have you got anything special planned this year?

Definitely! The Makabra Ensemble live movie soundtrack is always a highlight and is also the setting for the Halloween dress-up competition.

The short films are unique in that 99% of the 6 hrs+ worth of amazing movies from around the world won’t be seen anywhere else in South Africa.

On Wednesday, 20 October we have an exclusive pre-release screening of Robert Rodriguez’s much-anticipated Grindhouse flick Machete, starring Danny Trejo, Jessica Alba and Robert De Niro.

We’ll be showing the classic Nosferatu in its conversion as Orlok The Vampire in 3D (if the 3D glasses get here in time from the USA!) with a tongue-in-cheek approach. We’re awaiting word on filmmakers from two of the feature films flying to SA for their movies.

We’ll create another limited edition red wine with a special HorrorFest label (with Provoyeur Wines from Stellenbosch).

We’re also having our first after party/ closing event, in conjunction with the Lovecats animal charity concert at Mercury Live, featuring Terminatryx, Cold Hand Chemistry, and Witness To Wolves live on stage, plus the Black Orchids Beasties Burlesque troupe. There will be loads of prizes for audience members too!

Screengrab from Paul Blom & Sonja Rupperberg's werewolf short for HorrorFest 2009

Sonja in the werewolf short for HorrorFest 2009...

Why horror movies? What got you into it?
No one was stepping up after decades of other countries running festivals like this, so we elected ourselves. And like our music choice, we’ve just always loved things that are out of the ordinary, and some of us have a more macabre sense of humour and find shocking screen elements invigorating. The make-up FX are fascinating and everyone has a dark and twisted side that can be exorcised by watching these movies. A fright is almost always followed by laughter of relief. We can get into psychological analysis, but it boils down to a fun 90 minutes in a dark room of strangers staring at a screen throwing scares, thrills, and gross-outs at you, while munching on popcorn (or in the case of the Labia Theatre, sipping on a drink from the licensed bar), maybe with a date, a bunch of like-minded friends or even alone, and just escape into some freaky entertainment – relieved by the fact that you’re still alive and intact when the lights come up!

Would you say there is a particular type of fan that goes in for horror?
No. Anyone who has a fascination with the macabre, or likes the adrenaline rush of getting scared can get into it. As mortals we are all aware of our fragile lives and inevitable death, so we’re drawn to it, sometimes blatantly (almost like extreme sports), other times subconsciously. We get a wide spread of fans attending the HorrorFest, from younger kids trying to sneak in, to pensioners, Metal fans, Ravers, movie buffs, totally regular folk, everything. While one would expect it, we get very few Goths attending the festival…

What’s your fave horror movie of all time?
There are several, but it’s hard to pin down one, so we’ll give 5 of our favourites each.
Paul: Stanley Kubrick’s The Shining, David Cronenberg’s Videodrome, Sam Raimi’s Evil Dead trilogy, George A. Romero’s Dawn Of The Dead, F.W. Murnau’s Nosferatu
Sonja: Bram Stoker’s Dracula, Nightmare On Elm Street franchise, The Shining, Jacob’s Ladder, Event Horizon

And your worst?
Paul: Scared Alive
Sonja: Things

Sonja Ruppersberg in werewolf short for HorrorFest 2009

Things start getting hairy...

The one scene from a movie, good or bad, that’s stuck in your head?
Paul: There are many, but the creepy twins in The Shining, and the blood gushing from the elevator in slow motion made quite an impact.
Sonja: In Salem’s Lot – the light goes out and when it comes back on the vampire is in the room with the family.

Five things you’ve learnt about survival from horror movies…
Paul: Have access to weapons; Keep your keys with you at all times; Do not investigate if something seems odd; Have a back exit; Trust no one!
Sonja: Never run up the stairs; Never say ‘who’s there?’; If the intruder/monster/alien looks like it is dead stab it a couple more times just to be sure; Close cupboard doors – leaving them slightly open will open up a porthole to another dimension; Never look under your bed…

Who’s the most iconic horror actor/actress?
Paul: Bruce Campbell - mainly because of his epic performances in The Evil Dead movies – hilarious in his serious delivery of it!
Sonja: Robert Englund – Freddy Krueger’s nasty sense of humour and flamboyant character traits (Nightmare On Elm Street)!

What are your favourite tagline(s) from a horror poster?
Paul: The original Dawn Of The Dead – ‘When there’s no more room in hell, the dead will walk the earth’
Sonja: A Nightmare On Elm Street 3 – ‘If you think you’ll get out alive, you must be dreaming’

Who’d you rather take on: vamps, zombies or werewolves, and why?
Paul: Nowadays, vampires, because they’ve become sensitive vegetarians!
Sonja: George Romero zombies, one at a time because they’re slow and easy to kill, but not in a mob! (28 Days Later-style infected are too quick)

The most bizarre moment you’ve ever had in working on HorrorFest…
It’s bizarre from start to finish!

And when are you coming to Jozi?
We’ve been gunning for that since we got started, but it’s a matter of logistics and cost.
It may be sooner than you think!

Ever wondered how much work it would take to get something like HorrorFest off the ground? Read this and weep!

Who are the people involved?
Paul Blom and Sonja Ruppersberg: founders, organizers and coordinators.

The Makabra Ensemble is the Terminatryx-driven musical project that gives classic silent horror movies a new soundtrack, performed live to the screen. The Makabra Ensemble is Paul & Sonja from Terminatryx, Simon & Sean from LARK, and violin virtuoso Matthijs Van Dijk – and it involves a wide range of instruments from electric guitar, live drums, programming and various flutes and woodwind instruments, to vocals, violin, bass, programming and keyboards.

Sonja Ruppersberg in a scene from werewolf short for HorrorFest 2009

And there she goes.

The Labia Theatre has been the venue of choice since the festival’s inception in 2005. Since our 5th event (2009) we started bringing in additional assistance, as two people simply cannot manage a growing event like this! Instead of again doing the poster ourselves, we got Dr-Benway to photograph poster-girl Sonja, and artist Vernon Swart to paint the 2009 poster. Dr-Benway also assisted us this year (2010) in creating the event poster (with red devil make-up, hair and horns by Daleen Badenhorst & Clinton Smith from Cosmesis Advanced Prosthetic Studio and Masque Make-Up & FX)

Since 2009 Nerine Dorman has been running the Bloody Parchment literary chapter of HorrorFest, which includes the live author reading event at the Book Lounge (Roeland Str. on 27 Oct), and the short story competition. She may also tackle the arrangement of a Zombie Walk / Flash Mob.

Additional judges for short films include the guys from Visual Impact & HD Hub, as well as Something Wicked Magazine. I always compiled the 3 feature-length short-film collections myself, but since last year editor Leon Visser has taken that load off. Making movies ourselves, but simply not having enough time, in 2009 we did a double exercise of getting behind the camera again, and at the same time producing a HorrorFest promo clip, with the assistance of Clinton Smith and his Cosmesis team (make-up FX), Marnus Tredoux (camera), and Leon Visser (editor).  We picked up on it again this year by expanding this werewolf transformation piece (starring Sonja and directed by me) into the short film Marked – it will have its premiere at the 2010 HorrorFest.  The movie is also further transforming into a Terminatryx music video for the song Virus.

Visual Impact also helped with the supply of the Canon 5D camera.
With the festival being almost wholly independently funded by us, various sponsors and affiliates do assist in a range other ways, like Visual Impact, HD HUb, Cosmesis Advanced Prosthetic Studio, Masque Make-Up & FX, Something Wicked Magazine, New Rock Boots South Africa, Wolf Clothing, X Box, Ster Kinekor, Global Discs, SLD and Phantom Sambuca, Penguin Books, Fangoria Magazine, Mystery Ghost Bus Tour etc.

Then of course there are the moviemakers from around the world that make these crazy, fun movies we love to watch and get frightened by!


Paul and Sonja have created several off-centre film festivals & events since 2005, check them out here:

The X FEST Extreme / Underground / Cult Film Festival
CELLUDROID Sci-Fi / Anime / Fantasy Film Festival
SOUND ON SCREEN Music Film Festival
DARING DOCCIES Documentary Film Festival
CINEMANIACS Special Cinematic Events

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Of vampires and loneliness…


2010
07.28

Eli (Lina Leandersson) from Let The Right One In

Entering uninvited has consequences.

“Dress warm. It’s gonna get cold.”

My friend wasn’t talking about The Bioscope, although as a venue it has the potential to induce frostbite – even the little gas heater they pushed into the screening room had a tough time warming us up. It was the movie: Låt den Rätte Komma In (Let The Right One In). A beautiful, moody and decidedly snow-filled Swedish horror by director Tomas Alfredson. After a while, the chill settles right into your bones…

12-year-old Oskar (Kare Hedebrant) dreams of taking revenge on the boys who bully him. When Eli (Lina Leandersson) moves into his gloomy apartment building, he finds a new friend – and a new destiny. Eli’s a centuries-old vampire, looked after by an older male familiar, and for Oskar to become close to her means to become close to the brutal murders that soon turn his city upside down.

It’s violent, and it’s brutal. But often it’s not the blood that shocks – it’s the unexpected moments that truly reveal Eli, and the seemingly random acts of bullying visited on Oskar. He’s living in a stark, forbidding world, so it’s no wonder that he can find warmth and comfort in an essentially cruel, unfeeling creature… Except that Eli isn’t just a creature. We’re given the opportunity to get to know about her, and develop sympathy, if not empathy, with her plight.

Eli (Lina Leandersson) and Oskar (Kare Hedebrant) in Let The Right One In

The comfort of strangers...

One thing you can say about European movies… They bleed atmosphere and style. The landscape this community is stuck in is the perfect backdrop to the bleakness of their lives… I can only imagine how depressed a person can get in such a world…

Let The Right One In is a slow burn of a movie filled with subtle moments and complicated nuances. It keeps you enthralled and ultimately leaves you disturbed and wanting more. Luckily, in my case, there is more: the novel by John Ajvide Lindqvist (he’s also responsible for the screenplay of the movie) that the flick is based on. I haven’t read it yet, and it’s next on my list of Crucial Things To Do.

According to a friend the history of Eli and other themes that run through the movie – loneliness, alienation, neglect, bullying, cruelty, being different, being marginalized – are explored in much more detail. Well, duh – it’s the book, after all…

Oskar (Kare Hedebrant) in Let The Right One In

Squeal like a pig...

Not that the movie is shallow or simplistic… You need to keep your eyes open to not miss a single detail. And even so, you often miss crucial bits. I did, but I can’t elaborate lest I spoil it all… Suffice it to say that it will surprise you, and keep you thinking. The movie’s not showing at The Bioscope anymore, but I have it on good authority that you can rent it at The Colony Arms. Do it now before Hollywood decides to remake the Swedish version and casts Jayden Smith as Oskar.

* Lindqvist also wrote the brilliant Handling The Undead: you could call it a zombie book, only, it isn’t… Once again, issues of love, loss, fear and belonging are scrutinized using a fascinating and horrifying plot. It’s awesome. Read it.

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Shutting up is hard to do…


2010
07.15

Quest for Creativity Day 14 & 15, lessons 14 & 15: I suffer from verbal diarrhea. It’s hard to shut up in a creative way.

Word counts, schmord counts… I’m not one for curbing the urge to write copious amounts of (what I consider) brilliant prose to inspire the masses aka you. So it’s a bit of a challenge to creatively shut up. Here’s my attempt. Some piccies that have pleased and (hopefully) inspired me the past two days…

Patricia Waller artwork: crocheted cat spilling its guts.

Here kitty kitty... Check out more at www.patriciawaller.com/

Patricia Waller’s artwork is nice and twisted… And she crochets it! You have to check out more here.

Pretty Jasmine-patterned dress from Modcloth.

This is why I want to spend all my money at Modcloth.

Yes, it’s a dress. I can’t help myself.

An artwork from Melissa Haslam's 2010 Botanica exhibition.

Rabbit: an artwork from Melissa Haslam's 2010 Botanica Exhibition

Check out Melissa’s stuff on her blog and exhibition site.

Owl, a print from Kirbee Lawler's Forest Friends series.

I'm planning to buy all Kirbee Lawler's stuff, so hurry if you want anything! This one is called Owl, from her Forest Friends' series.

Check out Kirbee’s stuff on her blog and Etsy site.

Tim Apter from Double Adapter rocking it out at Discotheque.

Double Adapter rocking it at Discotheque at The Assembly. Photo: Adriaan Louw

My friend Tim looks rad in this pic. Yes, I used the word rad. More pics from the evening here.

Balloon Girl, a fine-art photography image by Elle Moss

It's quirky and pretty and innocent...

This makes me want to float off. Check out Elle Moss’s stuff at her Etsy page.

An image from Steffe K's flickr photostream

Cats. We all want to be them.

Steffe K’s got a quirky touch when it comes to photography. Check out her stuff on flickr.

A white kitten in a lolcat image

I felt like this today.

No visual blog is complete without a lolcat.

Movie poster for David Fincher's Social Network

Oh yes, Mark Zuckerberg...

David Fincher’s making a new movie. You want to find out what it’s about here.

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Lights, camera, brain matter splatter


2010
02.21

“It’s not human, and it’s got an axe!” – The Prey, 1984

Never underestimate the power of a prominent chin.

I think I’ve finally reached critical cheese mass… I recently found myself inappropriately excited at the prospect of spending long, inhuman hours on the set of a Vampire movie being shot in Jozi, sweating and hammering and building and painting and pasting and wielding a nail gun and maybe a coffeepot for mahala… Yep, you heard right: not money, just experience, and because I’m crazy like that. Also, the idea of building and decorating coffins for the undead somehow doesn’t give me the heebie jeebies… Quite the contrary, actually.

“Take the stairs. Take the stairs. For God’s sake, take the stairs!!!” – The Lift, 1983

I’m not entirely sure when I started becoming so obsessed with cheesy horror and all things B-grade… It was probably an act of self-preservation, in light of all the intellectual, arty, high-concept movies I’ve been reviewing for years as one of the perks of being an entertainment journalist… And of course the glossy, overproduced blockbusters designed to blow your audio-visual receptors. Who knows what the last straw was… Maybe the day I found myself intelligently discussing stuff like Mise-en-scene?

“It’s cheaper than a chainsaw!” – The Nail Gun Massacre, 1985

Whatever it was, at just the right moment, and with a nudge from some already geekified friends, I stumbled head-over-heels into the wonderful world of shockingly cheesy B-grade movies. The introduction? Mystery Science Theatre 3000. The result? A peanut gallery of ten or so inebriated like-minded people (well, one or two were casting furtive wide-eyed stars at the rest of us), bunched onto two couches in a tiny flat and hurling the verbal equivalent of rotten tomatoes at an innocent TV screen, where two robots and a man were already providing their own dialogue for a medieval fantasy featuring knights with mullets. Some of these gems actually made their way into our everyday conversations for a while: “You! Lick me!” and “Who are we? Bats! What do we want? Insects! When do we want it? Now!” being especial favourites.

Must… find… frying… pan…

“Trapped in time. Surrounded by evil. Low on gas.” – Army Of Darkness, 1992

It was only the beginning. In less time than it takes for the scantily clad bosoms-a-heaving blonde to get her insides ripped out I was hooked. Sam Raimi’s delirious stroke of genius in casting Bruce “The Chin” Campbell as Ash in the Evil Dead movies… Undead armies marching on the embattled walls of a desperate castle, making inappropriate “wheeeee!” sounds… Shy teenage redheads getting bitten by strange beasts and progressively getting vampy, snappy and seriously wolfed out… Peter Jackson’s forays into zombie sex, murderous muppets and the delicious eyeballs-in-custard dessert… Virginity taken to new, mythological levels when vagina dentata makes a surprise visit… Werewolves being kept at bay by a well-swung frying pan… Man-eating sheep, demented fluffy bunnies (my next project) and zombies kept as Playstation partners…

“Hell hath no fury like a hippo with a machine gun.” – Meet The Feebles, 1989

I can tell you about the rules that every Horror Head has taken to heart, such as don’t have sex, don’t strut about in your underwear, don’t go downstairs to check on a noise, never check if the monster is dead… Actually, just don’t sign up for this movie. I can name the directors most likely to make writhing in agony look like an orgasm, use bucketloads of corn syrup as a “fuck you” to sublety and insert inappropriate sound effects. Sam Raimi, I’m looking at you and your demented handkerchief. We can have long conversations about the relative merits of different vampires and werewolves and zombies and when is too much just too much? (Answer: never.)

Peanut gallery gone wild.

“Please do not disturb Evelyn. She already is.” – Mountaintop Motel Massacre, 1983

Someone once asked me what the real reason was for my obsession. I think there are two. The first: the social aspect… The joy of watching these gorefests with others who love them just as much, who can point out subtle references and sly digs because they’ve watched them so many times. There’s nothing like buckets of blood to bond a band of brothers.

The second: there’s just nothing these crazy movies won’t do. It’s sheer indulgence of the most ridiculous kind. Need more entrails? NO problem. Should the love interest be a zombie? Of course. Typewriters: evil? You said it. Should I rather buy a chastity belt before having sex with that deceptively shy girl? Hell, yes. And on and on and on… It’s escapism, a platform for all our secret twisted geeky desires, an opportunity to laugh in the face of werewolves and get away with it. And it’s funny and often really slyly clever and ironic… People having fun with their wildest fears. And most of the heroes or heroines are so, well, normal… They make you think that you, too, can OWN that vampire!

That’s also one of the reasons that I HATE “real” horror… Like Hostel and the Saw movies. They take away the fun bonding, instead isolating you in your own head, and disturbing you to the point where then laughing about it with your friends just feels a bit sick. And it pushes indulgence from the ridiculous to the sickening, leaving you with the scary question: “what if it’s real?” Cos while werewolves and vampires go their weary ways when daylight strikes, humans remain. And they’re actually the biggest monsters of all.

But I digress. And I’ve got some hammering to do – those crypts dont’ build themselves, you know!

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Do the Zombie stomp!


2010
01.31

Scritch… scritch… scritch…

Rob Zombie’s latest effort uses this sound to good effect: the uncomfortably arrhythmic heartbeat of an old-school record player come to the end of its cycle and sticking… sticking… sticking…

It’s a muted and strangely big sound that adds to your sense of fearful claustrophobia when the young and, above all, beautiful heroines open the front door of their safe haven and you already know… Michael Myers is in da hooouuusssseee, baby!

Yep, dear old Rob has tried his hand at another remake, this time Halloween 2, and has gone off on a tangent that adds to the existing Myers mythology. We meet a young, sweet-faced but already insane Michael, and get a sense of the unhealthy obsessions that will soon lead to loads of people getting chopped into bits of gristle and soup bones. Oedipal complex be damned: Michael’s every step is dogged by mommy dearest leading a white horse and his younger self by the, uhm, reins… Not very subtle with his character’s unconscious urges and driving forces, Rob is. Although it’s pretty damn unnerving to see that sweet boy next to the anything-but-gentle giant in a rotting flesh mask and know that they’re one and the same…

So why is he not dead yet? ‘Cos mommy wants the family circle reunited. The movie picks up right where Halloween 1 left off: with little Laurie all bloodied up from an attack, and on her way to hospital… But her brother’s not far behind. Yep, it turns out Michael has a sister. And she doesn’t know it yet, but she’s about to find out that blood runs thicker than wheat-free pizza with your adopted dad and shared roofies with your friends. Although she’ll probably find it a relief to know what all those acid-trip nightmares are about…

There’s a lot of blood, guts and gore left in Michael’s wake. I must admit that I had to close my eyes once or twice… And that’s where Zombie’s real magic came in. The sound. Because despite sticking my head as deep down my popcorn as possible, I could still see the bones breaking, the tendons snapping, the last bits of blood draining with a whimper through a severed windpipe. Zombie puts his characters through every type of hell – twice – and records every crunch and spurt in pitch-perfect clarity. A note: John Carpenter’s original theme music for Halloween isn’t used anywhere in the movie, only in the end credits. Zombie apparently didn’t feel it had the right effect in any of the scenes.

So as Michael gleefully slaughters on, there’s a few lessons to take to heart…

• A cow is the ultimate prop. In fact, at least one appearance of a cow in any movie should be mandatory.
• Please. Do. Not. Have. Sex. No matter what that groovy Teen Wolf at the Halloween party says, his Shaggin’ Wagon won’t turn out to be the hottest spot in town. And if he leaves to take a piss, run for it. And don’t even talk about having sex with, say, a corpse. Just don’t.
• Young, beautiful, sassy, potty-mouthed and, above all, female? Tickets. If you flashed your boobs at any time, you’re probably first to go.
• Women in flowing white dresses: to be avoided, preferably. Especially if you’re driving past Uniondale.
• Is your prince riding in on a white horse? Baby, hit the road, quickly… His mom’s probably not far behind him.
• Your commander just told you to go protect his daughter at home? Get out of town, quick.
• You’re coming home after a rocking party, and find the house ransacked? For heaven’s sake, don’t go up the stairs. But once you’re up there, don’t go down again.
• I know there’s an unspoken rule that you should never check if the monster is dead. In Myers’s case, it’s probably a good idea to check, preferably using a battleaxe.
• For sheer cutting & gutting pleasure, nothing beats the good old kitchen carving knife.
• Don’t ever pick on a giant man wearing a dodgy mask.

I can’t actually recommend this movie to anyone… I don’t want to be blamed for any residual nightmares, without the fun of, say, Sam Raimi’s squeaky evil hankies. Don’t expect any unexpected twists or shocks: it’s all pretty much cut and dried from the first scene. Sadly, it’s predictable and not much fun. Rather go rent Evil Dead again!

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