Archive for October, 2010

Life through a lens: Sean Brand makes magic


2010
10.08

Chris Chameleon in action at Oppiaarde, pic taken by Sean Brand

Chris Chameleon doing his Monki Punk thing... All pics taken by and courtesy of Sean Brand.

Oppikoppi usually flies past in a blur of colours and smells and impressions… This year though, one particular experience stood out and stuck in my head. Sean Brand’s outdoor photography exhibition, titled En ek kan nie ophou kyk nie. A collection of spectacular photos capturing the essence of a variety of South African musicians in action on stage, it was just a taster of the main project: a glossy, full-colour coffee-table book packed full of pics that will enthrall even the most jaded music fan – or musician, for that matter. I caught up with Sean and got him to fill in some blanks…

The first photo I ever took was of the sky…the shutter went off accidentally. I was fourteen years old.

I realised that photography was something I wanted to do when I saw a photograph of Fracoise Hardy in the LP cover of the movie soundtrack for Grand Prix. She looked so angry and so sexy… I thought the photographer must have been brave to take her picture.

Photographing bands is the most logical thing in my universe. I can sense when something is about to happen – there is absolute order in rock ‘n roll – even in the anarchy during a Fokof show.

The biggest challenge with band/ live music photography is capturing the essence so vividly that the viewer can hear the music… sure, the lighting can be near impossible, but if you can see it, you can shoot it.

My most treasured memory is of two photographs I didn’t take…poignant rock ‘n roll moments so beautiful but ultimately private… I’m NOT paparazzi!

Pic taken at Oppiaarde by Sean Brand, band onstage, moody lighting

Catching the mood...

The photograph I’m proudest of is any picture that inspires good in anyone who sees it… whether it is of them or just something that moves them.

Sometimes people forget that photography can be the simplest way of describing the most complex situation or emotion… but fortunately many photographers capture these moments instinctively and help us understand ourselves better through such images.

The biggest obstacle when taking photos is preconceptions.

The weirdest moment I’ve ever had taking pictures was standing backstage with Justin Kruger (Van Coke Kartel) at Volume Rock Fest II, Potch 2009 and a music fan insisted I autograph the drumstick he caught (from Justin). I said “I’m nobody, dude, but he insisted: “Jy’s mos die ou van “Ek like my steak gaar” (Jack Parow performed Die Vraagstuk that night with Heuwels Fantatsties)… Justin just said: “…teken die fokken ding”.

En ek kan nie ophou kyk nie... Pic by Sean Brand

En ek kan nie ophou kyk nie...

The most photogenic band/muso out there is never the same band – I see the real beauty of the creative essence in rock musicians as the aspect most pleasing in pictures… so fakers NEVER look good, no matter how pretty they arrange pixels on my sensor.

I’m most in awe of Gustav Klimt and Jack White. I’m inspired by simplicity and passion.

The idea for En ek kan nie ophou kyk nie struck when Herman Pretorius and I were chatting backstage at an MK shoot. We were going to colab on it, but unfortunately we lost him too soon… I would have loved his input and vast knowledge… not to mention his off-the-wall sense of fun and humour!

I also enjoy photographing in infrared.

Other projects I’m working on includes a book on infrared pictures and I’m also working on giving longer answers during interviews…haha.

Five basic tips for people who want to take up photography:
Get a camera… you’ll need one.
Have an opinion.
Delete the word “different” from your vocabulary.
Look at lots of pictures… all the time; and decide what you want to say with your images.
Be good at it… it helps to listen to music while shooting and editing!

Sean's book, En ek kan nie ophou kyk nie

If there's one book you've got to get your hands on...

People would never guess that I’m actually hoping to turn professional.

Besides photography, I’m also interested in cameras.

The best piece of advice I’ve ever received is “Fuck the concern and feel the width” – Raymond Arenstein, architect and mentor.

Get your gore on with HorrorFest!


2010
10.07

Sonja Ruppersberg on the artwork for 2010's HorrorFest in Cape Town

Sonja aka She Devil...

It’s October, and you know what that means… Ghosties and ghoulies and Darkwing Duck and other random things that go bump in the night. ‘Cos it’s Halloween. And it’s also HorrorFest, Cape Town’s iconic celebration of all things offbeat and bloody and scary. I managed to track down Paul Blom and Sonja Ruppersberg and get them to answer some questions about their brainchild… Which they did quite thoroughly, despite being up to their elbows in last-minute preparations and dramas! Enjoy… And if you’re in Cape Town, go support!

What’s the main goal of HorrorFest?
To cater for people with odd, alternative and off-centre taste – like ourselves! And while it is not yet a South-African tradition, we want Halloween to become more prominent.

Have you got anything special planned this year?

Definitely! The Makabra Ensemble live movie soundtrack is always a highlight and is also the setting for the Halloween dress-up competition.

The short films are unique in that 99% of the 6 hrs+ worth of amazing movies from around the world won’t be seen anywhere else in South Africa.

On Wednesday, 20 October we have an exclusive pre-release screening of Robert Rodriguez’s much-anticipated Grindhouse flick Machete, starring Danny Trejo, Jessica Alba and Robert De Niro.

We’ll be showing the classic Nosferatu in its conversion as Orlok The Vampire in 3D (if the 3D glasses get here in time from the USA!) with a tongue-in-cheek approach. We’re awaiting word on filmmakers from two of the feature films flying to SA for their movies.

We’ll create another limited edition red wine with a special HorrorFest label (with Provoyeur Wines from Stellenbosch).

We’re also having our first after party/ closing event, in conjunction with the Lovecats animal charity concert at Mercury Live, featuring Terminatryx, Cold Hand Chemistry, and Witness To Wolves live on stage, plus the Black Orchids Beasties Burlesque troupe. There will be loads of prizes for audience members too!

Screengrab from Paul Blom & Sonja Rupperberg's werewolf short for HorrorFest 2009

Sonja in the werewolf short for HorrorFest 2009...

Why horror movies? What got you into it?
No one was stepping up after decades of other countries running festivals like this, so we elected ourselves. And like our music choice, we’ve just always loved things that are out of the ordinary, and some of us have a more macabre sense of humour and find shocking screen elements invigorating. The make-up FX are fascinating and everyone has a dark and twisted side that can be exorcised by watching these movies. A fright is almost always followed by laughter of relief. We can get into psychological analysis, but it boils down to a fun 90 minutes in a dark room of strangers staring at a screen throwing scares, thrills, and gross-outs at you, while munching on popcorn (or in the case of the Labia Theatre, sipping on a drink from the licensed bar), maybe with a date, a bunch of like-minded friends or even alone, and just escape into some freaky entertainment – relieved by the fact that you’re still alive and intact when the lights come up!

Would you say there is a particular type of fan that goes in for horror?
No. Anyone who has a fascination with the macabre, or likes the adrenaline rush of getting scared can get into it. As mortals we are all aware of our fragile lives and inevitable death, so we’re drawn to it, sometimes blatantly (almost like extreme sports), other times subconsciously. We get a wide spread of fans attending the HorrorFest, from younger kids trying to sneak in, to pensioners, Metal fans, Ravers, movie buffs, totally regular folk, everything. While one would expect it, we get very few Goths attending the festival…

What’s your fave horror movie of all time?
There are several, but it’s hard to pin down one, so we’ll give 5 of our favourites each.
Paul: Stanley Kubrick’s The Shining, David Cronenberg’s Videodrome, Sam Raimi’s Evil Dead trilogy, George A. Romero’s Dawn Of The Dead, F.W. Murnau’s Nosferatu
Sonja: Bram Stoker’s Dracula, Nightmare On Elm Street franchise, The Shining, Jacob’s Ladder, Event Horizon

And your worst?
Paul: Scared Alive
Sonja: Things

Sonja Ruppersberg in werewolf short for HorrorFest 2009

Things start getting hairy...

The one scene from a movie, good or bad, that’s stuck in your head?
Paul: There are many, but the creepy twins in The Shining, and the blood gushing from the elevator in slow motion made quite an impact.
Sonja: In Salem’s Lot – the light goes out and when it comes back on the vampire is in the room with the family.

Five things you’ve learnt about survival from horror movies…
Paul: Have access to weapons; Keep your keys with you at all times; Do not investigate if something seems odd; Have a back exit; Trust no one!
Sonja: Never run up the stairs; Never say ‘who’s there?’; If the intruder/monster/alien looks like it is dead stab it a couple more times just to be sure; Close cupboard doors – leaving them slightly open will open up a porthole to another dimension; Never look under your bed…

Who’s the most iconic horror actor/actress?
Paul: Bruce Campbell - mainly because of his epic performances in The Evil Dead movies – hilarious in his serious delivery of it!
Sonja: Robert Englund – Freddy Krueger’s nasty sense of humour and flamboyant character traits (Nightmare On Elm Street)!

What are your favourite tagline(s) from a horror poster?
Paul: The original Dawn Of The Dead – ‘When there’s no more room in hell, the dead will walk the earth’
Sonja: A Nightmare On Elm Street 3 – ‘If you think you’ll get out alive, you must be dreaming’

Who’d you rather take on: vamps, zombies or werewolves, and why?
Paul: Nowadays, vampires, because they’ve become sensitive vegetarians!
Sonja: George Romero zombies, one at a time because they’re slow and easy to kill, but not in a mob! (28 Days Later-style infected are too quick)

The most bizarre moment you’ve ever had in working on HorrorFest…
It’s bizarre from start to finish!

And when are you coming to Jozi?
We’ve been gunning for that since we got started, but it’s a matter of logistics and cost.
It may be sooner than you think!

Ever wondered how much work it would take to get something like HorrorFest off the ground? Read this and weep!

Who are the people involved?
Paul Blom and Sonja Ruppersberg: founders, organizers and coordinators.

The Makabra Ensemble is the Terminatryx-driven musical project that gives classic silent horror movies a new soundtrack, performed live to the screen. The Makabra Ensemble is Paul & Sonja from Terminatryx, Simon & Sean from LARK, and violin virtuoso Matthijs Van Dijk – and it involves a wide range of instruments from electric guitar, live drums, programming and various flutes and woodwind instruments, to vocals, violin, bass, programming and keyboards.

Sonja Ruppersberg in a scene from werewolf short for HorrorFest 2009

And there she goes.

The Labia Theatre has been the venue of choice since the festival’s inception in 2005. Since our 5th event (2009) we started bringing in additional assistance, as two people simply cannot manage a growing event like this! Instead of again doing the poster ourselves, we got Dr-Benway to photograph poster-girl Sonja, and artist Vernon Swart to paint the 2009 poster. Dr-Benway also assisted us this year (2010) in creating the event poster (with red devil make-up, hair and horns by Daleen Badenhorst & Clinton Smith from Cosmesis Advanced Prosthetic Studio and Masque Make-Up & FX)

Since 2009 Nerine Dorman has been running the Bloody Parchment literary chapter of HorrorFest, which includes the live author reading event at the Book Lounge (Roeland Str. on 27 Oct), and the short story competition. She may also tackle the arrangement of a Zombie Walk / Flash Mob.

Additional judges for short films include the guys from Visual Impact & HD Hub, as well as Something Wicked Magazine. I always compiled the 3 feature-length short-film collections myself, but since last year editor Leon Visser has taken that load off. Making movies ourselves, but simply not having enough time, in 2009 we did a double exercise of getting behind the camera again, and at the same time producing a HorrorFest promo clip, with the assistance of Clinton Smith and his Cosmesis team (make-up FX), Marnus Tredoux (camera), and Leon Visser (editor).  We picked up on it again this year by expanding this werewolf transformation piece (starring Sonja and directed by me) into the short film Marked – it will have its premiere at the 2010 HorrorFest.  The movie is also further transforming into a Terminatryx music video for the song Virus.

Visual Impact also helped with the supply of the Canon 5D camera.
With the festival being almost wholly independently funded by us, various sponsors and affiliates do assist in a range other ways, like Visual Impact, HD HUb, Cosmesis Advanced Prosthetic Studio, Masque Make-Up & FX, Something Wicked Magazine, New Rock Boots South Africa, Wolf Clothing, X Box, Ster Kinekor, Global Discs, SLD and Phantom Sambuca, Penguin Books, Fangoria Magazine, Mystery Ghost Bus Tour etc.

Then of course there are the moviemakers from around the world that make these crazy, fun movies we love to watch and get frightened by!


Paul and Sonja have created several off-centre film festivals & events since 2005, check them out here:

The X FEST Extreme / Underground / Cult Film Festival
CELLUDROID Sci-Fi / Anime / Fantasy Film Festival
SOUND ON SCREEN Music Film Festival
DARING DOCCIES Documentary Film Festival
CINEMANIACS Special Cinematic Events

Have phone, will travel!


2010
10.06

Pin-up girl on the telephone. Probably soliciting.

"Hallo, is that Johnny Depp speaking? I'm your four-o-clock phoner..."

I know why my neck cricks. It’s because of all the bloody phoner interviews I have to do. Pinching the phone between shoulder and ear, frantically scribbling (or typing) in a one-handed shorthand hybrid that even I can’t decipher afterwards… Explaining the awkward pauses away with sorry, I have to write that down, I’m doing this old school, ha ha! (Call me techno-challenged…)

Coping with the one-second delays in between questions and answers, wondering if the person on the other side has disappeared when in fact their voices are still wending their way over the phone lines… Getting startled into a neck spasm when an officious-sounding PR person suddenly butts into your conversation, going “last question, time”.

And all this after struggling to actually get connected to the remote hotel in Kazakhstan somewhere, the latest leg of your victim’s tour, trying to decipher the concierge’s accent, getting put through to the wrong hotel room (I swear I spoke to a prostitute once), ending up phoning the muso’s cellnumber (I have your cell now!) as a last resort…

And all this without a single chance of getting your CD autographed or taking a photo to prove that yes, I actually met this awesomely famous person!

I’ve mentioned before that I really loathe phoner interviews. And I’ve done so, so many of them that you’d think by now I’d be used to them… Some people I’ve even interviewed twice. One songstress started laughing at me when she realized I was still using pen and paper. I was just chuffed that she actually remembered our previous talk.

Not that face-to-face interviews are always that successful either – I’m looking at you, arrogant Adam Levine! And you, gloomy Chris Cornell! I’ve come close to just picking up my trusty notebook and walking out of the room during a few choice moments… Journalists are people too, you know!

My first phoner ever was with Chad Gracey, drummer for Live. He was on a train somewhere in France, on tour with the band. (I’ve gone on to speak to Ed Kowalczyk too – twice.) I was at home with my family, who were all huddled around the phone, making excited squeaking sounds as I chatted to a member of one of our favourite bands. It was on speakerphone. And I borrowed my dad’s little Dictaphone to record the whole thing – one of those old-school ones that worked with miniature tapes and usually carried legalese such as “and henceforth you shall no longer come within 100km of said plaintiff” or “please type up two copies of this contract”. I’ve still got that little tape somewhere…

I’ve had some weird experiences doing phoners. Like interviewing Gomez, a band I loved, and a phoner I was actually excited for. I gave up writing anything down after question two – I simply couldn’t understand a single word of the heavily accented English coming my way. So I just murmured polite uhms and aahs and tossed in a question every now and then. It was bizarre.

Or starting an interview breezily with who I thought was the guitarist/vocalist/drummer/you name it of the band – only to discover that the schedule and names had been shuffled, nobody had told me, and I was now woefully unprepared to talk to this person. Winging it? I’ve done it.

Then there was the phoner, I can’t even remember with who, where the guy started cursing – really rudely – halfway through a conversation. It turned out there was somebody else in the room with him that was annoying him. But it kind of put a damper on proceedings…

There have been some cool moments too, luckily. The aforementioned moment where a muso actually remembered me. Having loads of fun talking to Fink. Getting to interview Katy Perry when people were still, like, who? And asking her all the weird questions about fruit and cats. She’s awesome to interview: you don’t have to go all serious and deep on her.

Sometimes, doing a phoner just makes you wish that you could meet a particular person face-to-face. Unlucky for us Saffricans, even with all the bands that are making there way here, there are loads that have yet to show up. Like We Are Scientists. Yes, they’re obscure – but they’re incredibly funny, and interviewing bassist/vocalist Chris Cain just made me wish I could sit him down for a glass of red wine and a chat while admiring his mustache. Check the interview here.

And Emma Richardson from Band Of Skulls is so talented that I’m pretty sure hanging out with her would up your coolness factor instantly.

I suppose all things considered phoners aren’t that bad… And I really should stop bitching about it. After all, you get to talk to the weirdest, most random people all across the world… Peeps who are just as awkward as you are over the phone. You connect for a brief period of time and share the same space… And hey, if things go south? You’ll probably never have to talk to them again… Except if they’re Ed Kowalczyk. Or Hilary Duff. Yes, really.